PAPERS
Worth, Z. (2019) 'Social Media in Practice', Digital Collection Practices: Artificial Intelligence, Social Media and Ethics University of Leeds, 16 October 2019.
Woolley, D. & Worth, Z. (2019) 'The politics of food culture on Instagram', Visual Intersections 4. Durham University, 8 July 2019.
Woolley, D. & Worth, Z. (2019) '[Im]moral and [Im]famous: Food, morality and celebrity of Instagram', New Reflections on fashioning Identities: Lifestyle, Emotions and Celebrity Culture, University of Roehampton, 14 June 2019
Worth, Z. (2019) 'Present, Present, Presence', Cognitive Conversations, FACT Liverpool, 20 February 2019
Woolley, D. & Worth, Z. (2019) 'The politics of food culture on Instagram', Visual Intersections 4. Durham University, 8 July 2019.
Woolley, D. & Worth, Z. (2019) '[Im]moral and [Im]famous: Food, morality and celebrity of Instagram', New Reflections on fashioning Identities: Lifestyle, Emotions and Celebrity Culture, University of Roehampton, 14 June 2019
Worth, Z. (2019) 'Present, Present, Presence', Cognitive Conversations, FACT Liverpool, 20 February 2019
PUBLICATIONS
Worth, Z. (2019) 'Truth, Time & Authenticity on Instagram', Cognitive Sensations
Worth, Z. (2018) 'Shared Meals: Instagram as a space for virtual feasting and rites of incorporation', Feast Journal, ISSN: 2397-785X
Worth, Z. (2017) 'Appendix I: (An evasive endnote)',Journal of Writing in Creative Practice, 9(3): 329-330
Worth, Z. (2017) 'Wellness', Journal of Writing in Creative Practice, 9(3):191-223
Worth, Z. (2017) 'A drawing made by cutting up my body weight in celery', Lungs Magazine, October 2017
Worth, Z. (2016) Review of Reading as Art curated by Professor Simon Morris. This is Tomorrow
Worth, Z. (2016) 'Stage One: art production on an industrial scale in North Yorkshire', Corridor8
Worth, Z. (2016) Review of The Town Moor: A Portrait in Sound by Chris Watson. This is Tomorrow
Worth, Z. (2016) Review of Manifest: 10,000 Hours by Clare Twomey. This is Tomorrow
Worth, Z. (2015) Review of Ringbinder by Jeffrey Dennis. This is Tomorrow
Worth, Z. (2015) Review of End User at The Hayward. The Leopard
Worth, Z. (2014) Review of They Used to Call it the Moon, at Baltic 39. Aesthetica
Worth, Z. (2014) Review of Lorna Simpson at The Baltic Centre for Contemporary Art. PEEL
Worth, Z. (2014) Review of Vision Quest - A ritual for Elephant and Castle, by Marcus Coates. Corridor8
Worth, Z. (2014) Review of Lucky Jim by Simon Bill. Corridor8
Worth, Z. (2014) Review of Na Ke Ka Ge by Akio Suzuki. Corridor8
Worth. Z. (2014) Review of The Weavers by Anna Molska. AV Festival
Worth, Z. (2018) 'Shared Meals: Instagram as a space for virtual feasting and rites of incorporation', Feast Journal, ISSN: 2397-785X
Worth, Z. (2017) 'Appendix I: (An evasive endnote)',Journal of Writing in Creative Practice, 9(3): 329-330
Worth, Z. (2017) 'Wellness', Journal of Writing in Creative Practice, 9(3):191-223
Worth, Z. (2017) 'A drawing made by cutting up my body weight in celery', Lungs Magazine, October 2017
Worth, Z. (2016) Review of Reading as Art curated by Professor Simon Morris. This is Tomorrow
Worth, Z. (2016) 'Stage One: art production on an industrial scale in North Yorkshire', Corridor8
Worth, Z. (2016) Review of The Town Moor: A Portrait in Sound by Chris Watson. This is Tomorrow
Worth, Z. (2016) Review of Manifest: 10,000 Hours by Clare Twomey. This is Tomorrow
Worth, Z. (2015) Review of Ringbinder by Jeffrey Dennis. This is Tomorrow
Worth, Z. (2015) Review of End User at The Hayward. The Leopard
Worth, Z. (2014) Review of They Used to Call it the Moon, at Baltic 39. Aesthetica
Worth, Z. (2014) Review of Lorna Simpson at The Baltic Centre for Contemporary Art. PEEL
Worth, Z. (2014) Review of Vision Quest - A ritual for Elephant and Castle, by Marcus Coates. Corridor8
Worth, Z. (2014) Review of Lucky Jim by Simon Bill. Corridor8
Worth, Z. (2014) Review of Na Ke Ka Ge by Akio Suzuki. Corridor8
Worth. Z. (2014) Review of The Weavers by Anna Molska. AV Festival
PRESS